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The information in this handout has been carefully put together to give you
as complete a picture of our facility and its equipment as possible. We hope
that it will facilitate your visit to our venue and make your pre-production
process clearer and more efficient.
The equipment inventories contained herein are subject to changes
due to loss, damage, etc., and it is always a good idea to contact
us well in advance of your event to make sure your production
needs can be met.
Naturally, we may have forgotten or missed something which
it is important for you to know. In this case, and in the case
of equipment needs, please don’t hesitate to call or write.
- House
- Dressing Rooms
- Green Room
- Wardrobe
- Rehearsal Space
- Load-In
- Stage Area
- Stage Floor
- Drapery
- Rigging
- Pianos
- Line Set Manifest
- Sound
- Communications
- Electrics
- Lighting Equipment
- Production Panel
- Additional Equipment
- House Crew
Total
number of fixed seats: 1,697
Orchestra (fixed): 1,175 main floor
Orchestra pit area (removable): 87
Balcony (fixed): 496
Wheelchair spaces (removable): 26
When not using
pit seating - seating capacity: 1697 (includes wheelchairs
spaces)
When using pit -
Seating capacity 1784 (includes wheelchairs spaces)
The theatre is totally handicapped-accessible via a ramp to
the orchestra entrances, and by elevator to the balcony. We also
have handicapped rest rooms at lobby level, close to the Performance
Hall, near the business office in the hallway leading to the
Exhibit Hall. Wheelchairs are also available.
The Performance Hall Box Office is equipped with both outdoor
and indoor ticket windows, a page microphone for lobby announcements,
and a Clear-Com outlet allowing communication with backstage
and the Control Rooms.
Additionally, there is a coat-check room and two rest room
areas - one at balcony level, and one at lower lobby level on
the sound end of the main lobby.
Number of Dressing Rooms: 5
There are two star dressing rooms located off stage left which
can accommodate 1-3 persons. The other dressing rooms are located
on the mezzanine level, one flight up a staircase off stage left.
They are choral size and can accommodate up to 20 persons each.
All dressing rooms have a stage monitor (audio) system with individual
volume controls. Also, there is a Clear-Com outlet in the hallway
by the choral dressing rooms. There is no paging system to the
dressing rooms.
All dressing rooms are equipped with mirrors, wardrobe racks,
good lighting, rest rooms, and showers.
All dressing rooms have built-in countertops and we will supply
as many chairs as you require.
The Green Room is located off stage left, close to the stage
door. It is approximately 600 square feet, carpeted, and can
be arranged to suit your need with tables, chairs, etc.
Additionally, the Green Room has a sink, built-in
countertop, telephone outlet and power outlets, and is connected
to the stage monitor (audio) system.
Our facility has no separate wardrobe room. We also do not
furnish laundry facilities, irons, ironing boards, etc. We will
be glad to furnish, if you request, the name and address of the
nearest Laundromats, dry cleaners, etc.
Many of our clients have used the Green Room as a Wardrobe/Quick
Change area because of its close proximity to the stage. We have
ample wardrobe racks, chairs, etc., but you would have to furnish
your own mirrors, makeup lights, irons, steamers, etc.
Our facility does not have a separate rehearsal room. Rehearsals
are usually done on stage. There are, however, meeting rooms
and a large Exhibit Hall which might be contracted for rehearsal
space, if you wish. There is an additional rental fee for this,
and it must be contracted in advance through the Event Services Coordinator.
Loading from truck to the street level is the responsibility of the client.
Old Stage Door Location: Stage Left
New Loading Door: Upstage left on the upstage wall – 10’ X
10’
Loading Door Size: 8” wide X 8’ 10” high
Stage Level: Yes
Ladders: 12’ Stepladder
Ladders:8’ Stepladder
Ladders: 6’ Stepladder
Personnel Lift: 32’ Maximum height
The outside loading doors are directly across from and 22’ away
from the stage loading doors. There are no barriers or ramps
between the two, and they are the same size. Please see the drawing
Loading Area Top View (Page 7) and Section Side View (Page 8)
for particulars.
Proscenium width: 60’
Proscenium height: 26’
Apron depth: 5’6”
Orchestra Pit: Yes
Orchestra Pit depth: 10’6” (at center)
Orchestra Pit width: 58’ (at widest point)
Orchestra Pit control: Hydraulic
Stage floor to pit at bottom: 6’9”
Stage floor to house floor: 3’6”
Curtain line to back wall: 37'6”
Curtain line to last usable pipe: 35’3”
Wing space, SL:(See stage floor diagram) 26’ X 30’
Wing space, SR: 22’ X 30’
Upstage crossover: 2’6" (from last usable pipe
to back wall)
There is also a basement crossover, through a somewhat circuitous
route, which can be described on site, if needed.
Material: Yellow Pine covered with tempered masonite
Color: Black
Surface: Smooth
| Legs |
3 prs. |
28 |
12 |
Black |
Velour |
| Borders |
3 |
8 |
66 |
Black |
Velour |
| Cyc |
1 |
30 |
66 |
White |
Muslin |
| Travelers |
2 |
38 |
69 |
Black |
Velour |
| Bounce |
1 |
30 |
66 |
Black |
Velour |
| *House Curtain |
1 |
28 |
72 |
Burgundy |
Velour |
*House Curtain 1 28’ 72’ Burgundy Velour
*House
curtain is guillotine, splits in center, and is manually controlled.
Type of System: Single purchase counterweight
Number of Available Lines: 29
Grid height: 57’
Lockrail location: Stage right on stage level
Low trim, pipes: 12”
High trim, pipes: 56’
See “Line Set Manifest”
Type: 1 Mason-Hamlin 9’ Grand
Type: 2 Yamaha Uprights
Pianos are available for use on stage or in the Pit. Additional rental/tuning
fees apply.
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1 |
General Purpose |
5-2 |
22 |
Electric 3 |
21-8 |
*2 |
Side Masking |
800 |
23 |
General Purpose |
22-8 |
3 |
Electric 1 |
602 |
24 |
General Purpose |
23-2 |
4 |
General Purpose |
7-2 |
25 |
General Purpose |
23-8 |
5 |
Work Lights |
8-2 |
26 |
Concert Ceiling |
26-4 |
6 |
Concert Ceiling |
10-2 |
27 |
General Purpose |
26-10 |
7 |
General Purpose |
10-8 |
28 |
General Purpose |
27-4 |
8 |
General Purpose |
11-2 |
29 |
Traveler 2 |
27-10 |
9 |
General Purpose |
12-2 |
30 |
General Purpose |
28-10 |
10 |
General Purpose |
12-8 |
31 |
General Purpose |
29-4 |
*11 |
Side Masking |
18-0 |
32 |
Electric 4 |
30-4 |
12 |
Electric 2 |
13-8 |
33 |
General Purpose |
31-10 |
13 |
General Purpose |
15-2 |
34 |
General Purpose |
32-4 |
14 |
General Purpose |
15-8 |
35 |
General Purpose |
32-10 |
15 |
General Purpose |
16-2 |
36 |
General Purpose |
33-4 |
16 |
Traveler 1 |
16-8 |
37 |
General Purpose |
34-4 |
17 |
Concert Ceiling |
17-2 |
38 |
General Purpose |
35-4 |
18 |
Work Lights |
18-2 |
39 |
General Purpose |
36-10 |
19 |
General Purpose |
20-2 |
40 |
S.R. Side Bar |
NA |
20 |
General Purpose |
20-8 |
42 |
S.L. Side Bar |
NA |
*21 |
Side Masking |
26 |
|
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All measurements are upstage of the proscenium plaster line.
For distance to house curtain deduct 2’ 06”. *Lines
2, 11, and 21 are muled eight-foot roto-travelers for side masking,
and are usually hung with legs. Borders are generally hung downstage
of electrics. The concert ceilings and travelers are permanent.
All battens are either 62’ or 64’ long, except
for work light battens, which are 48’ long. Concert ceilings
can be overhung, if necessary, but work height is about 7’,
as the battens cannot be floored. All cycs, scrims and bounce
curtains are generally hung on upstage pipes, usually on lines
34-39. Check with the Technical Services Coordinator regarding the location
of these prior to your event.
Our sound system has been designed primarily as a hall P.A.
and reinforcement system. The output mix is Monophonic. Although
our system can handle the general sound requirements of many
concert and theatrical productions, those productions requiring
elaborate sound capabilities should consider carrying their own
sound equipment or contracting with an outside sound company.
Sound Board: Soundcraft Spirt
No. of channels: 24
Speaker cluster: Bose Panaray Sound System
Speaker cluster: 4
Bose 502A Controlled Array Speakers
Speaker cluster: 2 Bose 502B Acoustimass bass enclosures
Location of cluster: Above and in front of proscenium under the 1st and 3rd catwalks
House Equalizer: Ashley Protea Ne24.24m Matrix Processor
CD Player:
Dennon CD player (1 disk)
Microphones: Shure SM58 (4)
Crown PCC (3)
Sennheiser AKG Wireless Lavalier or Handheld (3) return microphonesicrophones:
CAD (3)
3 AKG WMS 450 Wireless Sets (3)
Sound Booth location: Rear of house, main floor
Type of System: Clear-Com PS-452
Number of channels: 2 (A or B)
Stage Manager Positions: Stage left and stage right
Other positions: Sound booth, light booth,
follow spot booths, orchestra pit, center of house,
dressing room hallway (mezzanine), box office, flyrail, load rail, catwalks
(FOH light beams)
Number of available headsets:6
Lighting control: 27" iMac Desktop running Jands Vista (Byron) and an S1 console with second 17 inch screen
Type of dimmers: SCR Kliegl K96 with a CD-2000 Johnson Control System upgrade
Number of dimmers: 174 (stage dimmers)
Capacity of dimmers: 155 @ 2.4K
Capacity of dimmers: 22 @ 6K
Circuit per dimmer: Yes
Number of control channels: 512 DMX with 2 universes for a total of 1024
Memory system: Yes
Memory recording: Flash Drive
Location of control booth: Rear of house, main floor
Soft patch: Yes
DMX-Location:
Light Booth- 2 DMX feeds to the dimmers. 2 inputs and 2 outputs that connect at the stage managers panel. There is also one network line that connects to the stage managers panel.
Stage Managers Panel- Pathway DMX Repeater with 1 input, 1 through, and 8 outputs - down stage right on proscenium wall. DMX feeds to/from the light booth. All VMCC DMX connections are 5 pin.
House light control: Control booth or SM Panel - House lights can be controlled via DMX Tie-in.
House lights- CS- 2800 Series System Management Control (SMC) is used when there is no DMX signal to the dimmers. When a DMX signal is detected, the SMC will be locked out.
Locations- House right vestibule, lighting booth and stage managers panel.
Moving Light Inventory: 8 Mac101 - 4 Mac 350S - 2 VL2000S (semi-permanent mount FOH). These fixtures are available under separate rental agreement. Contact us for more information.
1 |
38 |
32 |
35 |
2.4K (29) |
|
|
6K (3) |
2 |
108 |
18 |
21 |
2.4K (15) |
|
|
6K (3) |
3 |
186 |
14 |
17 |
2.4K (11) |
|
|
6K (3) |
4 |
276 |
14 |
22 |
2.4K (6) |
|
|
6K (8) |
1 |
7 |
29 |
6 |
7 |
2.4K (5) |
|
6K (1) |
2 |
25 |
369 |
29 |
30 |
2.4K (28) |
|
6K (1) |
3 |
44 |
389 |
15 |
16 |
2.4K (14) |
|
|
6K (1) |
There are two Front-of-House Box Rooms. They are 18’ from
the apron and 3’ above the stage floor. They are 20’ high,
and laddered. Each contains eight (8) 2.4K paralleled circuits
and one separate 6K circuit (2-2.4K circuits on the same dimmer).
| Leko |
6X9 |
10 |
750 |
Kliegl |
1355 |
Dbl PC Narrow |
| Leko |
6X9 |
15 |
750 |
Kliegl |
1355 |
Dbl PC Wide |
| Leko |
6X12 |
10 |
750 |
Altman |
3600 |
Double PC |
| Leko |
8X20 |
14 |
1K |
Altman |
1KL8 |
Double PC |
| Shake |
20 degree |
8 |
575 |
Altman |
|
|
| Source 4 |
26 degree |
16 |
575 |
ETC |
|
|
| Fresnel |
8 |
6 |
1K |
Kliegl |
-- |
Step |
| Fresnel |
6 |
2 |
500 |
Kliegl |
-- |
Step |
| Fresnel |
6 |
4 |
|
Altman |
|
|
| Scoop |
14 |
6 |
500-1K |
Altman |
Quartz |
-- |
| Cycs |
8 |
8 |
500 |
Kliegl |
-- |
-- |
| Parnel |
|
24 |
575 |
ETC |
|
Step |
| Follow Spot |
-- |
2 |
1K |
Strong |
Super Trooper |
(Xenon) |
All of our circuitry, except for work circuits, have three-pin
stage plugs. We have a limited number of twofers and threefers
available (subject to change). We have four (4) fifty-pound boom
bases, with pipe and sidearms. We also have two shinbusters,
a fair quantity of extra cable, color frames for all instruments,
template holders for the Kliegl 6x9’s and Altman 6x12’s,
and we keep a minimum inventory of color media on hand. There
is no charge for already cut color, but there is a fee for cutting
new sheets or for ordering color.
Note: Borders have three circuits per strip, 12 lamps. Cyc has four curcuits per strip, 12 lamps.
There is a Production Panel in the stage right wing. It harbors
controls for House lights, grid lights,
catwalk lights, vestibule lights and orchestra pit lights.
Additionally, there is a Front-of-House crossover panel for
tying into your control board should you opt to do so. There
are also two separate 3 phase/4 wire/208 volt/400 amp services
with corresponding lug connectors, if you should need them. Our
safety regulations require that a licensed electrician perform
all hooking and unhooking to these, so there is an additional
charge for this service, which must be contracted ahead of time
with the Theatre/Technical Services Coordinator.
30’ x60’ movie screen
12’ X 12’ free standing screen
9’ X 12’ free standing rear projection screen
Epson- EMP- 62
Sanyo- PLC- XU106
20” mirror ball
C100 Fog Machine
Our House Crew consists of a Theatre/Technical Services Coordinator and a staff
of up to 4 who assist him and are available for crew positions.
We are not a union house, but if yours is a yellow card show,
there is a local chapter of IATSE which you can contact through
the CEO.
Smaller labor calls can be accomodated (up to 8-10) with an out-placement firm, if a full IATSE crew is not needed.
Our staff will not be available to operate touring company
equipment. Touring staff will be allowed to operate house equipment
at the discretion of the CEO.
A volunteer corps of volunteer ushers/ticket-takers is available
to you through the Front of House Manager. Security, when required, can
also be arranged through the Marketing Service Manager.
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